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Normal scheduling will resume shortly Statement ‘Normal scheduling will resume shortly engages with the arteries which make our cities run, both visible and invisible. The exhibition ruminates on how we... View Post

Relics Statement ‘These objects are the traces left behind by the disappearance of everything else,’ a quote by cultural critic, Jean Baudrillard, refers to the clamour of objects that fill... View Post

Water+shed: a twenty year survey of work based on the issues of water (1989-2009) Statement ‘These objects are the traces left behind by the disappearance of everything else,’ a quote... View Post

Clandestine: an ashscape installation responding to the loss and trauma from the bushfires on Black Saturday Statement At 5.57pm on Saturday 7th February, 2009 (now known as Black Saturday), an... View Post

3 months in Manila Statement Jose Rizal (1861 – 1896) is the national hero of the Philippines. He was a versatile genius; an architect, artist, businessman, cartoonist, educator, economist, ethnologist,... View Post

Noospheres Statement from the Greek word, Noos (the mind). The world dominated by the human mind. An artificial environment gradually replacing the biosphere (the naturally evolving world which has existed... View Post

Gigalitre Statement Gigalitre is an exhibition which culminated from a 12 month dialogue by three Australian artists, from three states and locales immediately affected by the Murray Darling Basin, the... View Post

Border+Lands Statement The work in this exhibition Border+Lands continue my interest in the relationship between the space of nature and human interventions into this space. Although this relationship between culture... View Post

an (other) Mallee History Statement This installation work, an(other) Mallee History, signalled a return to a painting methodology, although it is heavily informed by the original installation of tin cans,... View Post

The Mallee: A History Statement In various exhibitions in 2000, 2009/10 and 2011, The Mallee: a history, was installed in varying arrangements, 200 odd rusty brown tin cans, of endless... View Post